yagazieemezi:

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. “It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be.”

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself." (keep reading)

Website / Facebook / Twitter / Instagram

Dedicated to the Cultural Preservation of the African Aesthetic

(via younggiftedafricanqueen)

yagazieemezi:

Nonku Phiri
By Gabriella Achadinha 
Layout by Marlize Eckard

Website / Facebook / Twitter / Instagram

Dedicated to the Cultural Preservation of the African Aesthetic

Tags: nonku phiri

unephotonoire:

Original vintage press photo of Angela Davis arriving for her trial in April 1972.

unephotonoire:

Original vintage press photo of Angela Davis arriving for her trial in April 1972.

(via cornerstorepress)

Tags: Angela Davis

My initial contact with Thabiso Sekgala’s work was through these two iconic images from the “Homeland” series. I never met him personally but, having previously worked at Market Photo Workshop as a Coordinator for Courses & Training, I witnessed Sekgala’s impact on students’ way of seeing. He greatly influenced how they interpreted and visually registered the world around them. He will not be forgotten. His sudden departure has left a gaping hole in society. Usuyi ndlondlo enkulu manje. Lala kahle Sekgala. Size siphinde sihlangane.

A giant has indeed fallen! Lala kahle ndlondlo yethu.

thotiemusprime:

imaginariumofjacsfishburne:

thepolitehooligan:

"Everyone knows black girls can’t dance ballet."

Photographer: Drake Murray | Instagram: (@thepolitehooligan)
Ballerina: Tu’nai Jones | Instagram: (@tunaidenise)

Website | Prints | Flickr

THOSE LINES, THOSE FEET. My god, this woman is incredible!!

Black ballerinas are Gods!!!

(via braids-of-glory)

"I realized that I was African when I came to the United States. Whenever Africa came up in my college classes, everyone turned to me. It didn’t matter whether the subject was Namibia or Egypt; I was expected to know, to explain."

Chimamanda Ngozi Adichie, ‘Our “Africa” Lenses’, Washington Post, 13 November 2006, p. A21. (via ourafrica)

(Source: ourafrica, via beautiesofafrique)

beautiesofafrique:

African Women (Writers) and the Issue of Feminism

…What these women writers say underlines the complex nature of feminism for all women and for themselves as African women. They raise a number of issues. They disapprove of, or simply eschew, the word ‘feminist’…

steadypickingmyfro:

like wine
mannytoodope:

Fresh beats coming my radio!

mannytoodope:

Fresh beats coming my radio!

(via abstrackafricana)